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Grant Wood
1891-1942
Grant Wood Locations
His family moved to Cedar Rapids after his father died in 1901. Soon thereafter he began as an apprentice in a local metal shop. After graduating from Washington High School (Cedar Rapids, Iowa) , Wood enrolled in an art school in Minneapolis in 1910, and returned a year later to teach in a one-room schoolhouse. In 1913 he enrolled at the School of the Art Institute of Chicago and did some work as a silversmith.
From 1920 to 1928 he made four trips to Europe, where he studied many styles of painting, especially impressionism and post-impressionism. But it was the work of Jan Van Eyck that influenced him to take on the clarity of this new technique and to incorporate it in his new works. From 1924 to 1935 Wood lived in the loft of a carriage house that he turned into his personal studio at "5 Turner Alley" (the studio had no address until Wood made one up himself). In 1932, Wood helped found the Stone City Art Colony near his hometown to help artists get through the Great Depression. He became a great proponent of regionalism in the arts, lecturing throughout the country on the topic.
Wood taught painting at the University of Iowa's School of Art beginning in 1934. During that time, he supervised mural painting projects, mentored students, produced a variety of his own works, and became a key part of the University's cultural community. On February 12, 1942, one day before his 51st birthday, Wood died at the university hospital of liver cancer.
When Wood died, his estate went to his sister, Nan Wood Graham, the woman portrayed in American Gothic. When she died in 1990, her estate, along with Wood's personal effects and various works of art, became the property of the Figge Art Museum in Davenport, Iowa.
Wood was an active painter from an extremely young age until his death, and although he is best known for his paintings, he worked in a large number of media, including ink, charcoal, ceramics, metal, wood and found objects.
Throughout his life he hired out his talents to many Iowa-based businesses as a steady source of income. This included painting advertisements, sketching rooms of a mortuary house for promotional flyers and, in one case, designing the corn-themed decor (including chandelier) for the dining room of a hotel. In addition, his 1928 trip to Munich was to oversee the making of the stained-glass windows he had designed for a Veterans Memorial Building in Cedar Rapids. He again returned to Cedar Rapids to teach Junior High students after serving in the army as a camouflage painter. Related Paintings of Grant Wood :. | Grandmother-s house inhabit a forest | Both Hands with Miniature garden of woman | Daughter of Revolution | City-gate of Paris | Landscape | Related Artists: John wharlton bunney1828-1882
was an English topographical and landscape artist of the nineteenth century. His father was a merchant captain whom Bunney, as a boy, accompanied on several voyages around the world. Bunney demonstrated a strong talent for drawing and draftsmanship from an early age. The young Bunney became a follower of John Ruskin; he studied with Ruskin at the Working Men's College soon after its founding in 1854, and later worked as a clerk for Smith, Elder & Co., Ruskin's publisher. Bunney was able to give up his clerical job and make his living by his art and art teaching by 1859; Ruskin commissioned him to execute a series of drawings in Italy and Switzerland.Bunney married Elizabeth Fallon in 1863. The couple settled in Florence; they would have four children. Bunney worked for Ruskin's St. George's Company (later the Guild of St George) in northern Italy for the remainder of his life. In his career there, Bunney produced a noteworthy pictorial record of Italy in his era. Ruskin said that Bunney's work was "so faithful and careful as almost to enable the spectator to imagine himself on the spot." Bunney was a friend of many of the Pre-Raphaelites, especially William Holman Hunt. From 1870 on, Bunney lived and painted in Venice. In 1876 Ruskin commissioned Bunney to paint a picture that included the entire western facade of St. Mark's Basilica Nicolas de StaelRussian Painter.1914-1955
was a painter known for his use of a thick impasto and his highly abstract landscape painting. He also worked with collage, illustration and textiles Nocolas de Stael was born in the family of a Russian Lieutenant General, Baron Vladimir Stael von Holstein, (a member of the Stael von Holstein family, and the last Commandant of the Peter and Paul Fortress) and his wife, Olga Sakhanskaya. De Stael's family was forced to emigrate to Poland in 1919 because of the Russian Revolution; Both, his father and stepmother, would die in Poland and the orphaned Nicolas de Stael would be sent with his older sister Marina to Brussels to live with a Russian family (1922). He eventually studied art at the Brussels Acad??mie royale des beaux-arts (1932). In the 1930s, he travelled throughout Europe, lived in Paris (1934) and in Morocco (1936) (where he first met his companion Jeannine Guillou, also a painter and who would appear in some of his paintings from 1941-1942) and Algeria. In 1936 he had his first exhibition of Byzantine style icons and watercolors at the Galerie Dietrich et Cie, Brussels. He joined the French Foreign Legion in 1939 and was demobilized in 1941. Horst Devenspainted Freiin Emma von Langenmantel-Rosenberg in 1873
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